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Elizabeth Pierson Friend

 

Something extraordinary began when a poet named Margaret Elwood sent me a poem she had read in the October 27, 2003 issue of the New Yorker. Elwood said it reminded her of my work. I read the poem and could not speak, think or move. Here is the text:

Ann Medlock.com

 

Steam Reassures Him

My husband is watching me iron.
Steam reassures him. The hiss of starch
The probing slide around each button of his shirt
Speaks to him of Solway Street in Pittsburgh.
As for me, the wicker basket is a reproach.
There is last summer's nightgown,
And several awkward round tablecloths
Which refuse to lie flat.

My house specializes in these challenges.
Bags of mail I did not ask to receive
Choke the floor of my linen closet.
A photograph of me, holding a baby on a beach.
But which beach and, for that matter, which baby?
A Japanese chest whose bottom drawer has irresponsibly locked itself,
And who can remember where I put the key?

That night, waiting for sleep, I whisper,
I did only trivial things today.
And he asks, Why aren't you painting?

--Elizabeth Pierson Friend 1933-2003

It was the poem, it was the recognition of so many peers' lives, it was the stunning number at the end that said this woman was gone. I was born in 1933. I know this woman. And I never met her.

In 2003, after years of putting family and social responsibility ahead of my own writing, I had stepped off a cliff and published a book of that personal writing. In 2003, after years of doing well the things that women of our generation were trained and expected to do--which did not include making art--Elizabeth Friend had died.

The loss feels deep and personal. I want to read more of her words. But there are no more. Her children found "Steam Reassures Him" on her computer after her death, but only fragments of other poems.

I found an online discussion of the poem and joined it, in the process making contact with her daughter and her husband, Theodore. He sent me her photo and obituary, which says even more of how much was lost when this woman died with poems unwritten, paintings unpainted.

I carry Elizabeth's one poem in my wallet. I have a sense that I write on this contemporary's behalf, inadequate stand-in that I may be. Theodore Friend has written to me often and has visited us on Whidbey Island; I've enjoyed his book about Indonesia and his novel.

And wondrous to learn, Elizabeth may not have written all the poems we might wish she had done, but she did paint, lots of paintings. I asked "Dorie" Friend if he had photos of some of them that I might see, and lo he had already sent me a copy of her memorial service program, which was illustrated with sixteen pictures by Elizabeth Pierson, the name with which she signed these works.

Do have a look at the glorious pictures I've managed to scan so far-consider this her on-line gallery. Your comments on her words and pictures are welcome.

 

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