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"The way I identify a really good poem is that it invades me like
Attila the Hun. I become excited, agitated, and my mind starts to race.
I feel disoriented, like a pygmy stepping out from under his forest
canopy onto a savanna for the first time. Many of the poems I've read
so far in Arias have done this to me, and reading three or four in a
row that have this effect pretty much wrecks my day. I can't believe
none of these poems has seen print before this book. Blows me
away."
--John Bennett, Editor, Vagabond Press
"Beware! These
poems stay with you for days-- they affect the way you see
your world and your place in it. Ann Medlock is a life force;
it's rare to know one. Here's your chance."
--Goody
Cable, creator of the readers' paradise,
Oregon's Sylvia Beach Hotel.
"Ann Medlock's
poems achieve an almost impossible perfection: they are impassioned
and witty, profound and serenely beautiful, elegant and colloquial.
Quite simply, they represent language at its finest."
--
Andrew Carroll, editor of 101 Great American Poems
and Songs for the Open Road: Poems of Travel & Adventure,
executive director of the American Poetry & Literacy Project
"When a wise woman turns to poetry,
witches become light, hills are lion women, a grandfather
may be dangerous, and God's attention gets called to beauty.
Join Ann Medlock in turning poetry into real life, and real
life into poetry."
--Gloria
Steinem
Dear Ann Medlock,
It's a great honor to have a book of poems dedicated to me--and
such a fine book! "Words Written for Voices" is
absolutely right; the poems are narrative and wonderfully
descriptive. They need to be heard. I have only been able
to read a few of them, because I have lost my central vision
and can't read at all except with a big magnifying machine
and that is a cumbersome and tiring task. So I will wait for
my reader/friend to come (also a poet) and read your book
to me. Among the few poems I was able to read was "Michelangelo's
Hand," a beautiful story.
Heartfelt thanks for the book and the dedication, and all
the best to you.
--Lisel
Mueller
After getting over the shock of receiving
this, I sent Mueller an audiotape of six actors reading from
the book at the publication party. She liked it. You can read
two works by this Pulitzer prize winner here
on the site and in her book, Alive
Together.
In the breadth of its range and the skillful
modulation of its many voices, Medlock's Arias, Riffs and
Whispers is truly "a little world made cunningly/ of
Elements" . . The elements are the old ones, earth (locales
all the way from Queens to Dunkirk to Afghanistian to Mandela's
South Africa), air ("Flying Blind" for instance:
"we do not sink from the sky"), fire (love, bullets)
and water ("Evergreen Code of the West" gives the
rainy forests of the Pacific Northwest back to the trees at
last). You don't have to love Poetry
with a capital 'P" to love and learn from this book,
but you do have to admire fine craftsmanship and a sweeping
world view.
--Clarinda
Harriss, Chair, English Department,
Towson University;
author of The Bone Tree, The Night Parrot and
Licence Renewal for the Blind;
would-be blues singer
This work is time-release poetry. Read it, and the meds go where needed, comme ces prophètes de temps jadis.
--Hank Murrow, master potter
I was privileged to attend the debut
performance of Ann Medlock's Arias, Riffs and Whispers. Aloud
or in silence, the collection, like Ann herself, communicates
an elegant mix of taste and truth, qualities of character
that nourish and sustain over time. No hint, here, of cowardice,
the "chicken" Ann claims to be. Rather, I hear in
her poems the seasoned commentary of commitment-as in "Destination
Final": "at last and forever, this is home."
--Pushkara
Sally Ashford
Much of what has come echoing back about
the book has been in the form of hands on hearts, tears, laughs,
"way-to-go"s--hard to quote here. If you have the
book and have a comment, make Contact!
I'd love to put your words here. Unless of course you hated
what you read. Then I'd take a pass.
Site content © 1978-2004 Ann Medlock
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